2013年1月20日星期日

這是誠信問題


12年前,一個中國大陸青年去法國留學。他發現當地公共交通系統的售票處是自助的,也就是你想到哪個地方,根據目的地自行買票,車站不設檢票口,也沒有檢票員。連隨機性的抽查都非常少。他估算坐霸王車而被查到的比例大約僅為萬分之三。從此之後,他便經常不買票坐車。

  四年後,這個青年大學以優秀的學業成績畢業。他充滿自信,向歐洲一些跨國公司求職,他知道這些公司都在積極地開發亞太市場。求職大都先熱情地要他等消息,數日後又都是婉言相拒。他認為是這些公司種族歧視,排斥中國人。

  最後他忍不住闖進某公司人力資源部經理的辦公室,要求給他一個不錄用的理由。

  經理說:「先生,我們並不是歧視你,相反,我們很重視你。因為我們公司一直在開發中國市場,老實說,你就是我們所要找的人。 但我們查了你的信用記錄,發現你有三次坐霸王車被處罰的記錄。 」中國青年說:「為了這點小事,你們就放棄了一個人才? 」

  「小事?我們並不認為這是小事。我相信你雖然只被抓到三次,但你恐怕有數百次坐霸王車經歷。此事證明了兩點:一、你不尊重規則。你擅於發現規則中的漏洞並惡意使用。二、你不值得信任。而我們許多工作是必須依靠信任進行的,正如我們的公共交通系統一樣。所以我們沒有辦法雇用你。在這個國家甚至整個歐盟,你可能找不到雇用你的公司。」

  青年如夢方醒、懊悔難當。對方最後丟下的一句話是:「道德常常能彌補智力的缺陷,然而,智力卻永遠填補不了道德的空白。」

故事: 誠信漂流記

話說『誠信』被那個『聰明』的年輕人丟棄到水裡以後,他拼命地游著,最後來到了一個小島上。 
『誠信』就躺在沙灘上休息,心裡計劃著等待哪位路過的朋友允許他搭船,救他一命。
突然,『誠信』聽到遠處傳來一陣陣歡樂輕鬆的音樂。 
他於是馬上站起來,向著音樂傳來的方向望去:他看見一隻小船正向這邊駛來。 
船上有面小旗,上面寫著『快樂』二字,原來是快樂的小船。
『誠信』忙喊道:『快樂快樂,我是誠信,你拉我回岸可以嗎?』 
『快樂』一聽,笑著對『誠信』說:『不行不行,我一有了誠信就不快樂了, 
你看這社會上有多少人因為說實話而不快樂。對不起,我無能為力。』 
說罷,『快樂』走了。
過了一會兒……
『地位』又來了,誠信忙喊到:『地位地位,我是誠信,我想搭你的船回家可以嗎?』 
『地位』忙把船划遠了,回頭對『誠信』說:『不行不行,誠信可不能搭我的船,我的地位來之不易啊!有了你這個誠信我豈不倒霉,並且連地位也難以保住啊! 
『誠信』很失望地看著『地位』的背影,眼裡充滿了不解和疑惑。
他又接著等。
隨著一片有節奏而卻不和諧的聲音傳來,『競爭』們乘著小船來了, 
『誠信』喊道:『競爭,競爭,我能不能搭你的小船一程?』
競爭們問道:『你是誰,你能給我們多少好處?』 
『誠信』不想說,怕說了又沒人理,但『誠信』畢竟是誠信,他說:『我是……』 
『你是誠信啊,你這不純心給我們添麻煩嗎?如今競爭這麼激烈,我們” 不正當競爭”怎麼敢要你誠信?』言罷,揚長而去。
正當誠信感到近乎絕望的時候,一個慈祥的聲音從遠處傳來:『孩子,上船吧!』 
一個白髮蒼蒼的老者在船上掌著舵道:『我是時間老人。』 
『誠信』忍不住問道:『您為什麼要救我呢?』
老人微笑著說:『只有時間才知道誠信有多麼重要!』 在回去的路上,時間老人指著因翻船而落水的『快樂』、『地位』、『競爭』,
意味深長地說道:『沒有誠信,快樂不長久,地位是虛假的,競爭也是失敗的。』

2012年12月13日星期四

永不放棄


永不放棄


作者:蔡東豪

「我對腳痛至入心入肺,身體告訴我,不可能再跑,還有5K路程,我告訴自己一百次,一千次,沒可能完成,但我的意志拒絕放棄,跑多一步吧,能跑多一步我知道還有希望。做人不是關於外在,最重要是我有多少在裡面,只要還有一絲鬥志,我不會放棄。」以上這類勵志文字你看過很多次,每次都有點共鳴,甚至有代入感,提醒自己不要輕易放棄。
我看很多關於運動員的書,這些書大部分是講述運動員的毅力,怎樣在艱難中不放棄,容易放棄的運動員根本不會成功,也不可能出書。我看這些勵志書的出發點,不是希望影響自己,從別人經驗改變自己,加強毅力,學習不要放棄;我看,是因為我喜歡感受運動員成長歷程,假如我從這些經歷中有所得着,令我變為一個更好的人,當然是好事,但看完對我沒影響,也無所謂,我就是享受看書的過程。
我想感受運動員成長歷程,是從讀者角度,我未必想從運動員角度去感受。這位仁兄做到,不代表我做到,最重要是不代表我想做到。
讀者看書的代入感是有選擇性,看的時候代入運動員角色,感受不放棄的堅忍,在不可能情況下達到目標,這感覺的決定權屬於讀者,可能是一時之快,可能歷久常新,我喜歡這種選擇性代入關係。
我做不到或不想做到,是因為……太多原因了,我懶、我怕痛、我忙,這是我自己的事,不用向別人解釋。其實答案可能很簡單,我係我,佢係佢,我不想強迫自己做到另一個人做到的事。
能夠出書的頂級運動員都有一些特別之處,不少有不快樂的童年(我未做過統計,但為數不少),例如很多男運動員跟父親的關係疏離,這些經歷不可能在別人身上複製;也有不少運動員天生麗質,體格上與眾不同,不是毎個人都能從後天訓練出來。能否成為頂級運動員,很多時不是一個人決定,想做就可以做到。
我看勵志故事,不會被感動,只會感受到感動,兩者之間有分別,前者有強烈代入感,希望自己能模仿,後者的感受隨着讀完這本書過去,過後剩下回憶。我有自己的實際情況,頂級運動員在困難中做出難以置信成績,對於我這類讀者,他們這種滿足感,我只能想像。想深一層,看書不就是一個想像的歷程嗎?想像不是已經足夠嗎?
我愛看關於運動員的書,是因為我喜歡了解人性,運動員的人性代表排除萬難,永不放棄,這種光輝是特別的,不是每個人能做到,但做到的滿足感大至難以形容。我樂意從文字中感受到這生命的奇蹟,即使是一剎那的代入,也令人難忘,對我來說,夠了。讀完後,我可回到自己的現實世界。

視藝科過來人 分享摘星秘訣



Elsie上月介紹過香港教育學院舉辦的新高中視藝科「作品集」講座及展覽,並由教學經驗豐富的視藝科老師,講解該課程的要求和應試技巧。早前,為藝術愛好者和視藝教育界而設的《香港視藝誌》舉行了一個分享會「如何獲取視藝科的5 5* 5**」,邀請五位在文憑試中考獲5級或以上的同學,以過來人身分,分享他們的應試心得,他們均認為,校本評核內的研究工作簿,可說是取分的關鍵之一,不容有失。
  Elsie知道,現時視藝科的公開評核包括兩部分,即公開考試和校本評核,各佔百分之五十,其中公開考試有兩份卷,包括卷一的「視覺形式表達主題」和卷二的「設計」,考生只須二選一;校本評核方面,考生須要提交兩個作品集,而每個作品集要包括研究工作簿,和三件藝術作品或評賞研究。
  現就讀浸會大學視覺藝術院一年級的詹志豪認為,要在視藝科取得好成績,校本評核部分就要多花心思。「Portfolio(研究工作簿)要做好些,因為校本評核是佔一半分數,比重等同公開考試,但就不須即場完成,壓力沒有那麼大,且可以慢慢做到好,過程中也可以不斷檢討、反思,才將作品做出來。」他說,校本評核中的兩個作品集,考生可自訂藝術作品或評賞研究的主題,而研究工作簿須緊扣有關主題,並表達出考生從構思至完成作品的思考過程,分數會佔整個公開評核的兩成。
  「研究工作簿重視考生的思考過程和搜集資料的證據,佔分亦很重,工作簿做得好,但做出來的藝術作品不美,仍有機會取得高分。」詹志豪舉例,他創作時會利用mind map,以顯示他在創作時「從無到有」的經過,而期間聯想到甚麼有趣的點子、改動、反思等都寫下來,作為他創作藝術作品時思考的記錄。
  校本評核的主題是考生自訂,但如何訂主題也有值得注意的地方,同樣就讀浸會大學視覺藝術院一年級學生馬藍天就提醒同學,不要因貪圖方便快捷,就訂下一個簡單的主題。「因為訂了簡單的主題,就只會訂出簡單的前設,想簡單的內容。同學要對主題有感覺,並要明白自己為甚麼要訂這個題目。」事實上,幾位同學都透露,在大學面試時,都會要求學生講解他們的作品集,如考生對自己的作品沒有感覺,實在難以發揮得好。

在分享會中唯一在文憑試視藝科取得5**的同學楊媛茵,現正於中文大學修讀藝術系,她表示同學在製作研究工作簿時,必須顯示其藝術作品的產生經過,並要有很多調查作支持,甚至要記錄失敗的經過。「失敗過程有幾多寫幾多,然後就可以寫反思、如何改善和影響。」她舉例,同學在製作藝術作品時,可能因材料的成本太貴,導致藝術作品有某方面不足,或採用了其他材料代替,寫下難處後,就可以提出如有足夠錢買材料,作品可怎樣改善,這經歷對以後的創作有何影響等。
  視藝科考生有兩年多時間製作兩個作品集,但公開考試的機會卻只得一次,而幾位「過來人」都指出,應考視覺藝術時,跟其他科目一樣,同樣要認識應試策略。選考「設計」卷的楊媛茵跟Elsie講,筆試有評賞的部分,她提醒同學答卷要有足夠論點之餘,但亦要留意答卷時間,答案忌冗長;至於繪畫部分就要靠平日不斷操練。
  同樣在中文大學修讀藝術系的陳嘉豪則說,從考試導向角度去看,同學是有需要「背畫」。「畫熟某些畫後,可以因應題目再變一變;另外,構圖很重要,盡量不要用沉悶的構圖,例如水平和垂直形式的,反而可用多些扭動的構圖,有斜視感的,或有透視感覺強的構圖,會較為吸引。此外,顏色要鮮明些,除非主題所需,否則灰調子就不太好,可較容易取到評卷員的注意。」
  聽幾位同學的介紹,Elsie也覺得現時考視藝科,絕非空有繪畫天分就行。《香港視藝誌》主編郭玉美說,有意修讀視藝科的學生必須要有濃厚興趣,清晰自己的目標才選科,才可面對創作時的困難,並視之為挑戰。Elsie知道,《香港視藝誌》的網站,已上載了當日分享會的情況,正準備應考視藝科的同學可登入網址www.hkvam.com.hk,加深該科考核的認識。

2012年12月12日星期三

獎學金圓公屋女狀元牛津夢 學成回港當教授



上水公屋女狀元盧婉怡畢業於區內名校,會考及高考分別獲8A及5A佳績,於港大教育學院畢業後回母校教英文。她有感教英文「點都要浸吓鹹水」,但不忍動用父母多年儲蓄,終憑對教學的熱誠於2006年獲「中國牛津獎學金」頒發1年8000英鎊(當年約13萬港元)獎學金,得以負笈牛津大學攻讀碩士,最終超額完成博士學位。
獎學金不夠用 每周兼職22小時
家住上水公屋的盧婉怡,出身基層家庭,自小靠父親任地盤工和母親任車衣工養活她和弟弟。她中學就讀區內名校香港道教聯合會鄧顯紀念中學,憑會考8A及高考5A佳績膺狀元,入讀港大教育學院主修英文。畢業後,她重返母校教書,雖然希望到外國「浸鹹水」,但又不忍動用父母多年儲蓄下來的血汗錢。
後來盧婉怡嘗試申請「中國牛津獎學金」,成功獲批1年8000英鎊資助到牛津大學攻讀1年碩士。她憶述當時英鎊匯率高企,每16港元兌1英鎊,獎學金只能抵消一半學費和生活費,當時要半工讀,每星期在校內兼職22小時掙外快,但仍對於有機會於牛津深造十分感恩。
最終她額外獲多個獎學金資助她攻讀博士學位合共3年,並於2010年回流本港繼續從事教育相關工作,現於港大教育學院任助理教授,希望透過自身經驗鼓勵香港學生更積極進取。她說:「好多香港學生聽到牛津已經覺得難入,以為一定唔得而唔敢申請,但其實香港學生只要肯試,不會比其他地區學生輸蝕。」
「香港學生肯試不輸蝕」
圓海外升學夢外,盧婉怡亦得到意外收穫,認識2005年「中國牛津獎學金」得主許浩霖,及後結為夫婦。許憶述,2005年打算前往牛津攻讀博士,遂主動申請入學,終憑研究冷門題目獲取錄,以及獲1年5000英鎊獎學金。他寄語港生,在牛津最重要是學到思考方法,不要單單因牛津的名氣而申請入學;現時他於中大生命科學系任助理教授。
中國牛津獎學成立至今20周年,昨晚舉行籌款紀念晚宴。牛津大學副校長詹衛亮表示,希望籌得2500萬英鎊(約3億港元),將現時每年20個獎學金、金額由1000至20,000英鎊,改為全額資助學生學費和生活費,協助更多內地及香港學生留學牛津。

2012年12月11日星期二

Stay Hungery Stay Foolish



這段影片是Steve Jobs 在2005年向史丹福大學畢業生發表的演講辭,Steve罕有地談及自己生平。Steve的成功故事,最好作為青年人學習的榜樣,亦可以作為美國這個自由開放的社會,能夠造就個人神話的明證。

以下是視頻及英文全文:

Part 1

Part 2

Part 3


I am honored to be with you today at your commencement from one of the finest universities in the world. I never graduated from college. Truth be told, this is the closest I've ever gotten to a college graduation. Today I want to tell you three stories from my life. That's it. No big deal. Just three stories.
The first story is about connecting the dots.
I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out?
It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: "We have an unexpected baby boy; do you want him?" They said: "Of course." My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would someday go to college.
And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting.
It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:
Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.
None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.
Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
My second story is about love and loss.
I was lucky — I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation — the Macintosh — a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started? Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. So at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating.
I really didn't know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down - that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me — I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over.
I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.
During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, Toy Story, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, I returned to Apple, and the technology we developed at NeXT is at the heart of Apple's current renaissance. And Laurene and I have a wonderful family together.
I'm pretty sure none of this would have happened if I hadn't been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life hits you in the head with a brick. Don't lose faith. I'm convinced that the only thing that kept me going was that I loved what I did. You've got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don't settle.
My third story is about death.
When I was 17, I read a quote that went something like: "If you live each day as if it was your last, someday you'll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something.
Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.
About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn't even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor's code for prepare to die. It means to try to tell your kids everything you thought you'd have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes.
I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and I'm fine now.
This was the closest I've been to facing death, and I hope it's the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept:
No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.
Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions.
Stewart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: "Stay Hungry. Stay Foolish." It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you.
Stay Hungry. Stay Foolish.
Thank you all very much.

欺山莫欺水

欺山莫欺水


發生在印度中部的 Madhya Pradesh, Patalpani 瀑布,是印度著名景點。2011年7月7日一家五口遊玩,遭遇洪水,被困其中。造成了5死慘劇。

請務必記得,如果夏日在溪澗河流中玩水,一旦發現溪流開始漲水了,那便是生死一瞬間時刻,大概就只有三秒鐘逃生的機會,千萬不要輕忽小覷。

請陪小孩看完這則影片,什麼話都不必說了,他(她)將永遠記得溪中玩水潛在之危機,尤其是山區下雨時。


Les Miserables 孤星淚音樂劇 Part 1

Les Miserables 孤星淚音樂劇 Part 1

故事:

音樂劇開首的歌曲"Work Song",描述的是在監獄裡,不幸的苦役犯永無休止的悲劇,這群被社會遺棄的人,好像已被神所淡忘了。主角尚萬強Jean Valjean為了快餓死的外甥偷竊麵包而入獄服刑19年監禁的苦刑,刑滿出獄,在歌中由警察Javert釋放他,Javert警告Jean Valjean不要再挑戰法律,用鄙視的口吻,以囚犯編號24601來稱呼他,說他出獄的意義不在於重獲自由,而是拿到曾犯過錯的黃色身份證Yellow Ticket。他被這個世界遺棄…走到哪裡都沒人願意接納他…

處處碰壁的Jean Valjean心中充滿不甘與憤怒 在飢寒交迫時遇到了 Digne的主教 仁慈的主教帶他回家。並提供他食物與庇護,但是對這世界仍然充滿恨意的Jean Valjean卻在離開時偷了主教的銀器。不久警察就人贓並獲地抓到Jean Valjean,把他帶回主教面前。主教對警察撒謊救了Jean Valjean,說那些銀器是他送給Jean Valjean的。又給了尚萬強更多銀器給尚萬強帶走。Jean Valjean大受感動,決心改頭換面重新做人。唯一的方法就是先換個身分隱姓埋名重新開始。


Song List:
  • Overture / Work Song
  • Prologue
  • Soliloquy
  • Valjean Arrested / Valjean Forgiven
  • What Have I Done?